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Anna-Louise Plowman

anna-louise-plowman

Anna-Louise Plowman- Biography

Anna-Louise Plowman is the wife of another famous actor, Toby Stephens, and the star of such shows as “Father Brown” and “Agatha Christie’s Marple.” She portrayed Zola in the new Netflix series “The Witcher” at the end of 2019.

What is the Net Worth of Anna-Louise Plowman? Salary, Earnings

Plowman has a net worth of $6.2 million as of 2022, while her husband, Toby Stephens, has a net worth of $5 million.

Anna-Louise Plowman- Birth, Age, Ethnicity, Siblings

Anna-Louise Plowman was born on May 9, 1972, in Napier, New Zealand, and is a Taurus. Her parents encouraged her to pursue her ambition of becoming an actor since she was a child. She took theatrical classes while in school and performed in school musicals.

Education Details

Anna-Louise graduated from Wellington’s Samuel Marsden Collegiate School in 1989, after beginning her schooling there in 1982. She then enrolled at the Academy of Music and Dramatic Art in London, as well as the Lecoq School in Paris.

Anna-Louise Plowman- Relationship, Married Life

Anna-Louise married actor Toby Stephens in 2001 after dating him for several years — they met while studying at the London Academy of Music and Dramatic Art.

In 2007, the couple welcomed their first child, a son called Eli Alistair. Tallulah, their second child, and their first girl was born in May 2009. Kura, their third child, was born in September 2010.

Anna-Louise Plowman- Professional Career

Anna-Louise made her stage debut in Richard Parker’s “The Playboy of the Western World” at Marsden Theatre. Then she was invited to appear with the Clod Ensemble in Suzy Wilson’s “Musical Scenes,” which she directed.

Anna-Louise moved to London and appeared in Alex Cox’s “Desire Caught by the Tail” at the Landor Theatre. Later, Anna-Louise was invited to appear in Mark Walker’s production of “Salome” at the Canal Cafe Theatre, and she later appeared in Gillian Humphreys’ “A Celtic Journey” at The Barbican in London. She appeared in Vital Theatre Company’s “5 Women Wearing the Same Dress” and Provincetown Playhouse’s “Thirst,” both of which were presented in New York.

Returning to England, Anna-Louise appeared in Irina Brown’s “Three Tall Women” at the Oxford Playhouse, and shared the stage with her husband, Toby Stephens, in Jonathan Kent’s “Private Lives,” first at the Chichester Festival Theatre in 2012, and then at the Gielgud Theatre in the West End in 2013 – Anna-Louise played Sibyl Chase, while Toby played Elyot Chase.

Anna-film Louise’s career began in 1995 with minor appearances in short films such as “Vienna” and “Statue’s Refugee,” as well as an episode of the Channel 4 series “Angels of Mercy.” In 1995, she earned the role of Beverley in the TV series “Faith in the Future,” and in 1997, she played a fairy in the fantasy drama “FairyTale: A True Story.”

Anna-Louise starred in many films in 2000, including “Flick,” “The Adulterer,” and the drama series “Seven Days.” Anna-Louise appeared in three films in 2003: “The Foreigner,” in which she played Meredith Van Aken, “Shanghai Knights,” in which she played a debutante, and “Cambridge Spies,” in which she portrayed Melinda Maclean. The following year was similarly fruitful for Anna-Louise, as she participated in shows such as “He Knew He Was Right” and “My Life in Film,” as well as “Stargate SG-1,” in which she played Dr. Sarah Gardner beginning in 2000. Anna-Louise featured as Diana Goddard in “Doctor Who” in 2005, then as Lisa in “Days of Darkness” the following year.

Between 2006 and 2008, she appeared in films such as “These Foolish Things,” “Agatha Christie’s Marple: Sleeping Murder,” and “Ultimate Force.” She might also be seen in the “Holby City” series as Dr. Annalese Carson–Spence in a recurrent role, leaving in 2010, and then returning as a guest star in 2012. Her most recent works are “Father Brown” (2015), “The Eichmann Show” (2015), and “Billionaire Ransom” (2015). (2016).

Along with her acting, Anna-Louise is a narrator for several audiobooks, including “Murder Mile” by Lynda La Plante.

In “The Witcher,” Zola

Anna-Louise appears in two episodes of the new Netflix show “The Witcher” in 2019 – “Before a Fall” and “Much More,” playing Zola, the farmer Yurga’s wife. According to the plot, Zola came upon Princess Ciri in the market of a tiny village where Ciri was fleeing her pursuer, Cahir. Ciri refused to follow Zola and hide at her farm and was finally tracked down by her former compatriots, who tried to attack her but were stopped by Ciri’s magical abilities. After the incident, Zola found Ciri and carried her home, where she was discovered by Geralt, who appeared to help Zola’s husband, Yurga, and also arrived at the farm.

Plowman, Anna-Louise

In Andrzej Sapkowski’s novel series, the character of Zola had a different name. Yurga’s wife was named Zlatulina in the book “Sword of Destiny,” and she and her husband affectionately referred to her as Zlatulinka. They had two boys (while in the series Yurga and his wife welcomed only one son). There is no information on Anna-Louise’s filming in the second season of the series, as her character does not play a significant role in the plot; however, there is still a chance she will appear in further episodes in 2021 when the second season will premiere.

Charity

Anna-Louise and her husband undertake a lot of charity work. They offered a signed copy of their film “In Vitro” script for sale to benefit the victims of the fires in Australia in 2020.

Anna Preis announced the donation on Twitter, writing that it was an honor to have Anna-Louise and Toby as volunteers in that climate disaster and that the signed copy of the script was a “real rarity.” Anna-Louise is a food allergy champion who raises awareness of the issue around the world, and she especially protects people who are allergic to peanuts.

Body Measurements: Height, Weight, Hair color

Anna-Louise has naturally curly blonde hair that falls to her shoulders and blue eyes. She stands 5ft 11in (1.80m) tall and weighs approximately 143lbs (65kgs); her vital numbers are 32-28-34.

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